{"id":2583,"date":"2026-05-28T16:07:36","date_gmt":"2026-05-28T10:37:36","guid":{"rendered":"https:\/\/mymockmate.com\/notes\/?p=2583"},"modified":"2026-05-28T16:07:39","modified_gmt":"2026-05-28T10:37:39","slug":"ncert-class-9-arts-music-chapter-8-complete-solutions","status":"publish","type":"post","link":"https:\/\/mymockmate.com\/notes\/ncert-class-9-arts-music-chapter-8-complete-solutions\/","title":{"rendered":"NCERT Class 9 Arts Music Chapter 8 Complete Solutions"},"content":{"rendered":"<div class=\"pdfprnt-buttons pdfprnt-buttons-post pdfprnt-top-bottom-right\"><a href=\"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2583?print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/mymockmate.com\/notes\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\" \/><span class=\"pdfprnt-button-title pdfprnt-button-print-title\">Print<\/span><\/a> <span class=\"pdfprnt-count-generation\"><\/span><\/div>\n<h1 class=\"wp-block-heading\">Short Intro<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">This chapter introduces students to the beautiful concepts of R\u0101ga and T\u0101la in Indian Classical Music. It explains r\u0101ga classification systems, j\u0101ti, svaras, melakarta system, th\u0101\u1e6d system, t\u0101la structures, compositions, and rhythmic patterns in Hindustani and Carnatic Music. These solutions provide easy explanations, MCQs, FAQs, exam tips, and detailed step-by-step answers for better learning.<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Quick Information Box<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Topic<\/th><th>Details<\/th><\/tr><\/thead><tbody><tr><td>Chapter Name<\/td><td>R\u0101ga and T\u0101la<\/td><\/tr><tr><td>Subject<\/td><td>Music<\/td><\/tr><tr><td>Class<\/td><td>9<\/td><\/tr><tr><td>Main Focus<\/td><td>Indian Classical Music Systems<\/td><\/tr><tr><td>Important Concepts<\/td><td>R\u0101ga, T\u0101la, J\u0101ti, Th\u0101\u1e6d<\/td><\/tr><tr><td>Learning Goal<\/td><td>Understanding Melody and Rhythm<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h1 class=\"wp-block-heading\">Concepts Used (Topics Covered)<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>R\u0101ga and T\u0101la<\/li>\n\n\n\n<li>J\u0101ti Classification<\/li>\n\n\n\n<li>Au\u1e0dava, \u1e62h\u0101\u1e0dava, Sa\u1e41p\u016br\u1e47a<\/li>\n\n\n\n<li>Melakarta System<\/li>\n\n\n\n<li>Th\u0101\u1e6d System<\/li>\n\n\n\n<li>Janaka and Janya R\u0101gas<\/li>\n\n\n\n<li>Teen T\u0101la<\/li>\n\n\n\n<li>Jhapt\u0101la<\/li>\n\n\n\n<li>\u0100di T\u0101la<\/li>\n\n\n\n<li>R\u016bpaka T\u0101la<\/li>\n\n\n\n<li>Svaras and Variants<\/li>\n\n\n\n<li>Jatisvaram and Svarajati<\/li>\n\n\n\n<li>Hindustani Music<\/li>\n\n\n\n<li>Carnatic Music<\/li>\n\n\n\n<li>Sam, T\u0101l\u012b, Kh\u0101l\u012b, Vibh\u0101g<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Important Formulas \/ Key Terms<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Au\u1e0dava = 5 notes<\/li>\n\n\n\n<li>\u1e62h\u0101\u1e0dava = 6 notes<\/li>\n\n\n\n<li>Sa\u1e41p\u016br\u1e47a = 7 notes<\/li>\n\n\n\n<li>T\u0101la = Rhythmic cycle<\/li>\n\n\n\n<li>Sam = First beat of t\u0101la<\/li>\n\n\n\n<li>Vibh\u0101g = Division of beats<\/li>\n\n\n\n<li>Th\u0101\u1e6d = Parent scale in Hindustani Music<\/li>\n\n\n\n<li>Me\u1e3bakart\u0101 = Parent scale in Carnatic Music<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Questions &amp; Step-by-Step Solutions<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q1. Explain the following in one line.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">i. \u1e62h\u0101\u1e0dava-Sa\u1e41p\u016br\u1e47a<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A r\u0101ga having 6 notes in ascent and 7 notes in descent.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ii. Vibh\u0101g<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A division or grouping of beats in a t\u0101la.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">iii. J\u0101tis in Hindustani Music<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">J\u0101tis classify r\u0101gas according to the number of notes used.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">These concepts help organise and classify r\u0101gas and rhythmic structures in Indian Classical Music.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q2. If a r\u0101ga has 6 svaras in \u0101roha\u1e47a and 6 in avaroha\u1e47a, what is its j\u0101ti?<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A r\u0101ga with 6 notes in both ascent and descent is called \u1e62h\u0101\u1e0dava\u2013\u1e62h\u0101\u1e0dava j\u0101ti.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Example<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">R\u0101ga Lalit<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The term \u1e62h\u0101\u1e0dava means six-note scale.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q3. Which are achala-svaras\/prak\u1e5biti-svaras and chala-svaras\/vik\u1e5biti-svaras?<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Achala-Svaras \/ Prak\u1e5biti-Svaras<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">These notes do not change their positions.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u1e62ha\u1e0dja (Sa)<\/li>\n\n\n\n<li>Pa\u00f1chama (Pa)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Chala-Svaras \/ Vik\u1e5biti-Svaras<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">These notes can have different variants.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rishabha (Re)<\/li>\n\n\n\n<li>Gandhara (Ga)<\/li>\n\n\n\n<li>Madhyama (Ma)<\/li>\n\n\n\n<li>Dhaivata (Dha)<\/li>\n\n\n\n<li>Nishada (Ni)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Sa and Pa remain fixed while other notes may change position.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q4. Name two r\u0101gas and their scales derived from \u015aha\u1e45kar\u0101bhara\u1e47am.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">1. Ha\u1e41sadhvani<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Scale<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ R_2\\ G_3\\ P\\ N_3\\ S<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Avaroha\u1e47a<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ N_3\\ P\\ G_3\\ R_2\\ S<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">2. Ka\u1e47\u1e47a\u1e0d\u0101<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Scale<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ G_3\\ M_1\\ D_2\\ N_3\\ S<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Avaroha\u1e47a<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ N_3\\ D_2\\ P\\ M_1\\ G_3\\ R_2\\ S<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Both r\u0101gas are janya r\u0101gas derived from the parent r\u0101ga \u015aha\u1e45kar\u0101bhara\u1e47am.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q5. Answer the following.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">i. A r\u0101ga with 5 notes is called:<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Au\u1e0dava<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ii. The Me\u1e3bakart\u0101 system was devised by:<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Venkatamakhi<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">iii. Vishnu Narayan Bhatkhande grouped the Hindustani r\u0101gas in the:<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Th\u0101\u1e6d System<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">iv. Complete the series:<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">SMGR, RPMG, GMDP<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">These are important facts related to r\u0101ga classification systems.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q6. What is the difference between Jatisvaram and Svarajati?<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Jatisvaram<\/th><th>Svarajati<\/th><\/tr><\/thead><tbody><tr><td>Contains only svaras and rhythmic syllables<\/td><td>Contains lyrics along with svaras<\/td><\/tr><tr><td>Usually no s\u0101hitya<\/td><td>Includes s\u0101hitya<\/td><\/tr><tr><td>Focuses on melody and rhythm<\/td><td>Focuses on melody, rhythm, and meaning<\/td><\/tr><tr><td>Used mainly for practice and dance<\/td><td>Used in expressive performances<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Svarajati is more expressive because it combines lyrics with musical notes.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q7. Give a brief introduction of R\u0101ga Ha\u1e41sadhvani.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Features of R\u0101ga Ha\u1e41sadhvani<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>A popular Carnatic janya r\u0101ga<\/li>\n\n\n\n<li>Derived from \u015aha\u1e45kar\u0101bhara\u1e47am<\/li>\n\n\n\n<li>Au\u1e0dava r\u0101ga (5 notes)<\/li>\n\n\n\n<li>Bright and devotional mood<\/li>\n\n\n\n<li>Frequently used in opening performances<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Scale<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ R_2\\ G_3\\ P\\ N_3\\ S<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ N_3\\ P\\ G_3\\ R_2\\ S<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Ha\u1e41sadhvani is widely loved for its pleasant and energetic character.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q8. Describe one system of classification of r\u0101gas with examples.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Hindustani Th\u0101\u1e6d System<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The th\u0101\u1e6d system classifies r\u0101gas according to note combinations.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Features<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Introduced by Vishnu Narayan Bhatkhande<\/li>\n\n\n\n<li>Contains 10 major th\u0101\u1e6ds<\/li>\n\n\n\n<li>Each th\u0101\u1e6d has 7 notes<\/li>\n\n\n\n<li>R\u0101gas are grouped under parent scales<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Example<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Kaly\u0101\u1e47 Th\u0101\u1e6d<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Scale<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ R\\ G\\ M&#8217;\\ P\\ D\\ N\\ S<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">R\u0101gas Under Kaly\u0101\u1e47 Th\u0101\u1e6d<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Yaman<\/li>\n\n\n\n<li>\u015ahuddha Kaly\u0101\u1e47<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The th\u0101\u1e6d system simplifies the study and organisation of Hindustani r\u0101gas.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q9. Contributions of the following stalwarts.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">i. T\u0101nsen<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Legendary musician in Akbar\u2019s court<\/li>\n\n\n\n<li>Popularised Hindustani Classical Music<\/li>\n\n\n\n<li>Associated with many r\u0101gas and musical legends<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">ii. Kumar Gandharva<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Famous classical vocalist<\/li>\n\n\n\n<li>Known for innovative singing style<\/li>\n\n\n\n<li>Revived folk influences in classical music<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">iii. M\u012br\u0101b\u0101\u012b<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Devotional poet-saint<\/li>\n\n\n\n<li>Famous for bhajans dedicated to Lord Krishna<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">iv. MS Subbulakshmi<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Renowned Carnatic vocalist<\/li>\n\n\n\n<li>Popularised Carnatic Music globally<\/li>\n\n\n\n<li>Recipient of Bharat Ratna<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">These musicians contributed immensely to Indian music traditions.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q10. Identify the R\u0101ga-j\u0101ti.<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Condition<\/th><th>J\u0101ti<\/th><\/tr><\/thead><tbody><tr><td>i. 5 svaras in \u0101roha and 6 in avaroha<\/td><td>Au\u1e0dava\u2013\u1e62h\u0101\u1e0dava<\/td><\/tr><tr><td>ii. 6 svaras in \u0101roha and 5 in avaroha<\/td><td>\u1e62h\u0101\u1e0dava\u2013Au\u1e0dava<\/td><\/tr><tr><td>iii. 5 svaras in \u0101roha and avaroha<\/td><td>Au\u1e0dava\u2013Au\u1e0dava<\/td><\/tr><tr><td>iv. 7 svaras in \u0101roha and avaroha<\/td><td>Sa\u1e41p\u016br\u1e47a\u2013Sa\u1e41p\u016br\u1e47a<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">J\u0101ti depends on the number of notes used in ascent and descent.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q11. Complete the table.<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Svara<\/th><th>Note Position<\/th><th>Hindustani Variant<\/th><th>Carnatic Variant<\/th><\/tr><\/thead><tbody><tr><td>S<\/td><td>Fixed<\/td><td>\u1e62ha\u1e0dja<\/td><td>\u1e62ha\u1e0djam<\/td><\/tr><tr><td>Higher R<\/td><td>Variable<\/td><td>Tivra Rishabh<\/td><td>R2<\/td><\/tr><tr><td>Lower M<\/td><td>Variable<\/td><td>\u015ahuddha Madhyam<\/td><td>M1<\/td><\/tr><tr><td>Higher N<\/td><td>Variable<\/td><td>Tivra Nishad<\/td><td>N3<\/td><\/tr><tr><td>P<\/td><td>Fixed<\/td><td>Pa\u00f1cham<\/td><td>Pa\u00f1chamam<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Svaras may have fixed or variable positions depending on the music system.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q12. Write the t\u0101la lipi of Teen T\u0101la.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Teen T\u0101la<\/h3>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>M\u0101tr\u0101<\/th><th>1<\/th><th>2<\/th><th>3<\/th><th>4<\/th><th>5<\/th><th>6<\/th><th>7<\/th><th>8<\/th><th>9<\/th><th>10<\/th><th>11<\/th><th>12<\/th><th>13<\/th><th>14<\/th><th>15<\/th><th>16<\/th><\/tr><\/thead><tbody><tr><td>Bol<\/td><td>Dha<\/td><td>Dhin<\/td><td>Dhin<\/td><td>Dha<\/td><td>Dha<\/td><td>Dhin<\/td><td>Dhin<\/td><td>Dha<\/td><td>Dha<\/td><td>Tin<\/td><td>Tin<\/td><td>Ta<\/td><td>Ta<\/td><td>Dhin<\/td><td>Dhin<\/td><td>Dha<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">T\u0101l\u012b\/Kh\u0101l\u012b Structure<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">X 2 0 3<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Teen T\u0101la is one of the most common rhythmic cycles in Hindustani Music.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Common Mistakes<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Confusing r\u0101ga j\u0101ti classifications<\/li>\n\n\n\n<li>Forgetting fixed and variable svaras<\/li>\n\n\n\n<li>Mixing Hindustani and Carnatic systems<\/li>\n\n\n\n<li>Writing incomplete t\u0101la structures<\/li>\n\n\n\n<li>Ignoring ascent and descent patterns<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Exam Tips<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Learn all j\u0101ti names carefully.<\/li>\n\n\n\n<li>Practise Teen T\u0101la and Jhapt\u0101la counting.<\/li>\n\n\n\n<li>Remember important r\u0101ga scales.<\/li>\n\n\n\n<li>Use tables for classification-based answers.<\/li>\n\n\n\n<li>Revise th\u0101\u1e6d and me\u1e3bakart\u0101 systems regularly.<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Practice MCQs<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">1. A r\u0101ga with 5 notes is called:<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. \u1e62h\u0101\u1e0dava<br>B. Sa\u1e41p\u016br\u1e47a<br>C. Au\u1e0dava<br>D. Janaka<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">C. Au\u1e0dava<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">2. Who developed the Th\u0101\u1e6d system?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. Ty\u0101gar\u0101ja<br>B. Vishnu Narayan Bhatkhande<br>C. T\u0101nsen<br>D. Venkatamakhi<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">B. Vishnu Narayan Bhatkhande<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">3. Which t\u0101la has 16 beats?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. Jhapt\u0101la<br>B. R\u016bpaka T\u0101la<br>C. Teen T\u0101la<br>D. \u0100di T\u0101la<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">C. Teen T\u0101la<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">4. Which r\u0101ga is an Au\u1e0dava r\u0101ga?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. Yaman<br>B. Ha\u1e41sadhvani<br>C. Bil\u0101val<br>D. Kaly\u0101\u1e47<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">B. Ha\u1e41sadhvani<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">5. What is the first beat of a t\u0101la cycle called?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. Kh\u0101l\u012b<br>B. Vibh\u0101g<br>C. Sam<br>D. T\u0101la<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">C. Sam<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">FAQ Section<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Q1. What is a r\u0101ga?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A r\u0101ga is a melodic framework in Indian Classical Music using specific notes and patterns.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q2. What is t\u0101la?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">T\u0101la is the rhythmic cycle used in Indian music.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q3. What is the difference between th\u0101\u1e6d and r\u0101ga?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A th\u0101\u1e6d is a parent scale, while a r\u0101ga is a melodic composition derived from it.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q4. What is j\u0101ti in music?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">J\u0101ti classifies r\u0101gas according to the number of notes used.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q5. Why is Teen T\u0101la important?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Teen T\u0101la is widely used in Hindustani Classical Music because of its balanced rhythmic structure.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For more chapter-wise solutions, MCQs, notes, music theory, and exam preparation materials, visit <a href=\"http:\/\/www.mymockmate.com\/\">www.mymockmate.com<\/a> and make your learning musical, creative, and exam-ready.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<div class=\"pdfprnt-buttons pdfprnt-buttons-post pdfprnt-top-bottom-right\"><a href=\"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2583?print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/mymockmate.com\/notes\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\" \/><span class=\"pdfprnt-button-title pdfprnt-button-print-title\">Print<\/span><\/a> <span class=\"pdfprnt-count-generation\"><\/span><\/div>\n    <div class=\"xs_social_share_widget xs_share_url after_content \t\tmain_content  wslu-style-1 wslu-share-box-shaped wslu-fill-colored wslu-none wslu-share-horizontal wslu-theme-font-no wslu-main_content\">\n\n\t\t\n        <ul>\n\t\t\t        <\/ul>\n    <\/div> \n","protected":false},"excerpt":{"rendered":"<p> Short Intro This chapter introduces students to the beautiful concepts of R\u0101ga and T\u0101la in Indian Classical<\/p>\n","protected":false},"author":3,"featured_media":2584,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_surecart_dashboard_logo_width":"180px","_surecart_dashboard_show_logo":true,"_surecart_dashboard_navigation_orders":true,"_surecart_dashboard_navigation_invoices":true,"_surecart_dashboard_navigation_subscriptions":true,"_surecart_dashboard_navigation_downloads":true,"_surecart_dashboard_navigation_billing":true,"_surecart_dashboard_navigation_account":true,"postBodyCss":"","postBodyMargin":[],"postBodyPadding":[],"postBodyBackground":{"backgroundType":"classic","gradient":""},"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[803,22,4],"tags":[1558,1531,1555,1556,1553,1551,1560,1550,1559,1554,1552,1557],"class_list":["post-2583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-cbse","category-class-9","tag-carnatic-music","tag-class-9-music-solutions","tag-hansadhwani-raga","tag-hindustani-music","tag-indian-classical-music","tag-jhaptala","tag-melakarta-system","tag-ncert-music-chapter-8","tag-raga-and-tala","tag-raga-classification","tag-teen-tala","tag-thaat-system"],"jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/comments?post=2583"}],"version-history":[{"count":2,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2583\/revisions"}],"predecessor-version":[{"id":2637,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2583\/revisions\/2637"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/media\/2584"}],"wp:attachment":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/media?parent=2583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/categories?post=2583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/tags?post=2583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}