{"id":2583,"date":"2026-05-28T16:07:36","date_gmt":"2026-05-28T10:37:36","guid":{"rendered":"https:\/\/mymockmate.com\/notes\/?p=2583"},"modified":"2026-05-28T16:07:39","modified_gmt":"2026-05-28T10:37:39","slug":"ncert-class-9-arts-music-chapter-8-complete-solutions","status":"publish","type":"post","link":"https:\/\/mymockmate.com\/notes\/ncert-class-9-arts-music-chapter-8-complete-solutions\/","title":{"rendered":"NCERT Class 9 Arts Music Chapter 8 Complete Solutions"},"content":{"rendered":"<div class=\"mymoc-top mymoc-entity-placement\" id=\"mymoc-335870147\"><div id=\"mymoc-962877657\"><a href=\"https:\/\/amzn.to\/3S4CntS\" aria-label=\"Stationeries\"><img src=\"https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/Stationeries.png\" alt=\"\" srcset=\"https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/Stationeries.png 1303w, https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/Stationeries-300x89.png 300w, https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/Stationeries-1024x304.png 1024w, https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/Stationeries-768x228.png 768w\" sizes=\"(max-width: 1303px) 100vw, 1303px\" width=\"1080\" height=\"100\"><\/a><\/div><\/div><div class=\"pdfprnt-buttons pdfprnt-buttons-post pdfprnt-top-bottom-right\"><a href=\"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2583?print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/mymockmate.com\/notes\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\"><span class=\"pdfprnt-button-title pdfprnt-button-print-title\">Print<\/span><\/a> <span class=\"pdfprnt-count-generation\">11<\/span><\/div>\n<h1 class=\"wp-block-heading\">Short Intro<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">This chapter introduces students to the beautiful concepts of R&#257;ga and T&#257;la in Indian Classical Music. It explains r&#257;ga classification systems, j&#257;ti, svaras, melakarta system, th&#257;&#7789; system, t&#257;la structures, compositions, and rhythmic patterns in Hindustani and Carnatic Music. These solutions provide easy explanations, MCQs, FAQs, exam tips, and detailed step-by-step answers for better learning.<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Quick Information Box<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Topic<\/th><th>Details<\/th><\/tr><\/thead><tbody><tr><td>Chapter Name<\/td><td>R&#257;ga and T&#257;la<\/td><\/tr><tr><td>Subject<\/td><td>Music<\/td><\/tr><tr><td>Class<\/td><td>9<\/td><\/tr><tr><td>Main Focus<\/td><td>Indian Classical Music Systems<\/td><\/tr><tr><td>Important Concepts<\/td><td>R&#257;ga, T&#257;la, J&#257;ti, Th&#257;&#7789;<\/td><\/tr><tr><td>Learning Goal<\/td><td>Understanding Melody and Rhythm<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h1 class=\"wp-block-heading\">Concepts Used (Topics Covered)<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>R&#257;ga and T&#257;la<\/li>\n\n\n\n<li>J&#257;ti Classification<\/li>\n\n\n\n<li>Au&#7693;ava, &#7778;h&#257;&#7693;ava, Sa&#7745;p&#363;r&#7751;a<\/li>\n\n\n\n<li>Melakarta System<\/li>\n\n\n\n<li>Th&#257;&#7789; System<\/li>\n\n\n\n<li>Janaka and Janya R&#257;gas<\/li>\n\n\n\n<li>Teen T&#257;la<\/li>\n\n\n\n<li>Jhapt&#257;la<\/li>\n\n\n\n<li>&#256;di T&#257;la<\/li>\n\n\n\n<li>R&#363;paka T&#257;la<\/li>\n\n\n\n<li>Svaras and Variants<\/li>\n\n\n\n<li>Jatisvaram and Svarajati<\/li>\n\n\n\n<li>Hindustani Music<\/li>\n\n\n\n<li>Carnatic Music<\/li>\n\n\n\n<li>Sam, T&#257;l&#299;, Kh&#257;l&#299;, Vibh&#257;g<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Important Formulas \/ Key Terms<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Au&#7693;ava = 5 notes<\/li>\n\n\n\n<li>&#7778;h&#257;&#7693;ava = 6 notes<\/li>\n\n\n\n<li>Sa&#7745;p&#363;r&#7751;a = 7 notes<\/li>\n\n\n\n<li>T&#257;la = Rhythmic cycle<\/li>\n\n\n\n<li>Sam = First beat of t&#257;la<\/li>\n\n\n\n<li>Vibh&#257;g = Division of beats<\/li>\n\n\n\n<li>Th&#257;&#7789; = Parent scale in Hindustani Music<\/li>\n\n\n\n<li>Me&#7739;akart&#257; = Parent scale in Carnatic Music<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Questions &amp; Step-by-Step Solutions<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q1. Explain the following in one line.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">i. &#7778;h&#257;&#7693;ava-Sa&#7745;p&#363;r&#7751;a<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A r&#257;ga having 6 notes in ascent and 7 notes in descent.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ii. Vibh&#257;g<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A division or grouping of beats in a t&#257;la.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">iii. J&#257;tis in Hindustani Music<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">J&#257;tis classify r&#257;gas according to the number of notes used.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">These concepts help organise and classify r&#257;gas and rhythmic structures in Indian Classical Music.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q2. If a r&#257;ga has 6 svaras in &#257;roha&#7751;a and 6 in avaroha&#7751;a, what is its j&#257;ti?<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A r&#257;ga with 6 notes in both ascent and descent is called &#7778;h&#257;&#7693;ava&ndash;&#7778;h&#257;&#7693;ava j&#257;ti.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Example<\/h3>\n\n\n\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/mymockmate.com\/notes\/ncert-class-10-maths-real-number-exercise-1-2-solutions-mymockmate\/\" class=\"template-2\"><span class=\"cta\">Related Topic to Read more<\/span><span class=\"postTitle\">NCERT Class 10 Maths Real Number Exercise 1.2 Solutions |  MyMockMate<\/span><\/a><\/div><p class=\"wp-block-paragraph\">R&#257;ga Lalit<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The term &#7778;h&#257;&#7693;ava means six-note scale.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q3. Which are achala-svaras\/prak&#7771;iti-svaras and chala-svaras\/vik&#7771;iti-svaras?<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Achala-Svaras \/ Prak&#7771;iti-Svaras<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">These notes do not change their positions.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&#7778;ha&#7693;ja (Sa)<\/li>\n\n\n\n<li>Pa&ntilde;chama (Pa)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Chala-Svaras \/ Vik&#7771;iti-Svaras<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">These notes can have different variants.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rishabha (Re)<\/li>\n\n\n\n<li>Gandhara (Ga)<\/li>\n\n\n\n<li>Madhyama (Ma)<\/li>\n\n\n\n<li>Dhaivata (Dha)<\/li>\n\n\n\n<li>Nishada (Ni)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Sa and Pa remain fixed while other notes may change position.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q4. Name two r&#257;gas and their scales derived from &#346;ha&#7749;kar&#257;bhara&#7751;am.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">1. Ha&#7745;sadhvani<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Scale<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ R_2\\ G_3\\ P\\ N_3\\ S<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Avaroha&#7751;a<\/h3>\n\n\n\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/mymockmate.com\/notes\/class-10-maths-exercise-2-1-solutions-polynomials-ncert-solutions\/\" class=\"template-2\"><span class=\"cta\">Related Topic to Read more<\/span><span class=\"postTitle\">NCERT Class 10 Maths Exercise 2.1 Solutions | Polynomials<\/span><\/a><\/div><p class=\"wp-block-paragraph\">S\\ N_3\\ P\\ G_3\\ R_2\\ S<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h2 class=\"wp-block-heading\">2. Ka&#7751;&#7751;a&#7693;&#257;<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Scale<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ G_3\\ M_1\\ D_2\\ N_3\\ S<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Avaroha&#7751;a<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ N_3\\ D_2\\ P\\ M_1\\ G_3\\ R_2\\ S<\/p><div class=\"mymoc-middle mymoc-entity-placement\" id=\"mymoc-64955548\"><div id=\"mymoc-1850273618\"><a href=\"https:\/\/amzn.to\/440rYSB\" aria-label=\"ssd\"><img src=\"https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/ssd.png\" alt=\"\" srcset=\"https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/ssd.png 1303w, https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/ssd-300x50.png 300w, https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/ssd-1024x171.png 1024w, https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/ssd-768x128.png 768w\" sizes=\"(max-width: 1303px) 100vw, 1303px\" width=\"1303\" height=\"218\"><\/a><\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Both r&#257;gas are janya r&#257;gas derived from the parent r&#257;ga &#346;ha&#7749;kar&#257;bhara&#7751;am.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q5. Answer the following.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">i. A r&#257;ga with 5 notes is called:<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Au&#7693;ava<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ii. The Me&#7739;akart&#257; system was devised by:<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Venkatamakhi<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">iii. Vishnu Narayan Bhatkhande grouped the Hindustani r&#257;gas in the:<\/h2>\n\n\n\n<div class=\"internal-linking-related-contents\"><a href=\"https:\/\/mymockmate.com\/notes\/class-10-maths-exercise-2-2-solutions-relationship-between-zeroes-and-coefficients\/\" class=\"template-2\"><span class=\"cta\">Related Topic to Read more<\/span><span class=\"postTitle\">Class 10 Maths Exercise 2.2 Solutions | Relationship Between Zeroes and Coefficients<\/span><\/a><\/div><p class=\"wp-block-paragraph\">Th&#257;&#7789; System<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">iv. Complete the series:<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">SMGR, RPMG, GMDP<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">These are important facts related to r&#257;ga classification systems.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q6. What is the difference between Jatisvaram and Svarajati?<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Jatisvaram<\/th><th>Svarajati<\/th><\/tr><\/thead><tbody><tr><td>Contains only svaras and rhythmic syllables<\/td><td>Contains lyrics along with svaras<\/td><\/tr><tr><td>Usually no s&#257;hitya<\/td><td>Includes s&#257;hitya<\/td><\/tr><tr><td>Focuses on melody and rhythm<\/td><td>Focuses on melody, rhythm, and meaning<\/td><\/tr><tr><td>Used mainly for practice and dance<\/td><td>Used in expressive performances<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Svarajati is more expressive because it combines lyrics with musical notes.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q7. Give a brief introduction of R&#257;ga Ha&#7745;sadhvani.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Features of R&#257;ga Ha&#7745;sadhvani<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>A popular Carnatic janya r&#257;ga<\/li>\n\n\n\n<li>Derived from &#346;ha&#7749;kar&#257;bhara&#7751;am<\/li>\n\n\n\n<li>Au&#7693;ava r&#257;ga (5 notes)<\/li>\n\n\n\n<li>Bright and devotional mood<\/li>\n\n\n\n<li>Frequently used in opening performances<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Scale<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ R_2\\ G_3\\ P\\ N_3\\ S<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ N_3\\ P\\ G_3\\ R_2\\ S<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Ha&#7745;sadhvani is widely loved for its pleasant and energetic character.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q8. Describe one system of classification of r&#257;gas with examples.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Hindustani Th&#257;&#7789; System<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The th&#257;&#7789; system classifies r&#257;gas according to note combinations.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Features<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Introduced by Vishnu Narayan Bhatkhande<\/li>\n\n\n\n<li>Contains 10 major th&#257;&#7789;s<\/li>\n\n\n\n<li>Each th&#257;&#7789; has 7 notes<\/li>\n\n\n\n<li>R&#257;gas are grouped under parent scales<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Example<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Kaly&#257;&#7751; Th&#257;&#7789;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Scale<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">S\\ R\\ G\\ M&rsquo;\\ P\\ D\\ N\\ S<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">R&#257;gas Under Kaly&#257;&#7751; Th&#257;&#7789;<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Yaman<\/li>\n\n\n\n<li>&#346;huddha Kaly&#257;&#7751;<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The th&#257;&#7789; system simplifies the study and organisation of Hindustani r&#257;gas.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q9. Contributions of the following stalwarts.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">i. T&#257;nsen<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Legendary musician in Akbar&rsquo;s court<\/li>\n\n\n\n<li>Popularised Hindustani Classical Music<\/li>\n\n\n\n<li>Associated with many r&#257;gas and musical legends<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">ii. Kumar Gandharva<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Famous classical vocalist<\/li>\n\n\n\n<li>Known for innovative singing style<\/li>\n\n\n\n<li>Revived folk influences in classical music<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">iii. M&#299;r&#257;b&#257;&#299;<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Devotional poet-saint<\/li>\n\n\n\n<li>Famous for bhajans dedicated to Lord Krishna<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">iv. MS Subbulakshmi<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Renowned Carnatic vocalist<\/li>\n\n\n\n<li>Popularised Carnatic Music globally<\/li>\n\n\n\n<li>Recipient of Bharat Ratna<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">These musicians contributed immensely to Indian music traditions.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q10. Identify the R&#257;ga-j&#257;ti.<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Condition<\/th><th>J&#257;ti<\/th><\/tr><\/thead><tbody><tr><td>i. 5 svaras in &#257;roha and 6 in avaroha<\/td><td>Au&#7693;ava&ndash;&#7778;h&#257;&#7693;ava<\/td><\/tr><tr><td>ii. 6 svaras in &#257;roha and 5 in avaroha<\/td><td>&#7778;h&#257;&#7693;ava&ndash;Au&#7693;ava<\/td><\/tr><tr><td>iii. 5 svaras in &#257;roha and avaroha<\/td><td>Au&#7693;ava&ndash;Au&#7693;ava<\/td><\/tr><tr><td>iv. 7 svaras in &#257;roha and avaroha<\/td><td>Sa&#7745;p&#363;r&#7751;a&ndash;Sa&#7745;p&#363;r&#7751;a<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">J&#257;ti depends on the number of notes used in ascent and descent.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q11. Complete the table.<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Svara<\/th><th>Note Position<\/th><th>Hindustani Variant<\/th><th>Carnatic Variant<\/th><\/tr><\/thead><tbody><tr><td>S<\/td><td>Fixed<\/td><td>&#7778;ha&#7693;ja<\/td><td>&#7778;ha&#7693;jam<\/td><\/tr><tr><td>Higher R<\/td><td>Variable<\/td><td>Tivra Rishabh<\/td><td>R2<\/td><\/tr><tr><td>Lower M<\/td><td>Variable<\/td><td>&#346;huddha Madhyam<\/td><td>M1<\/td><\/tr><tr><td>Higher N<\/td><td>Variable<\/td><td>Tivra Nishad<\/td><td>N3<\/td><\/tr><tr><td>P<\/td><td>Fixed<\/td><td>Pa&ntilde;cham<\/td><td>Pa&ntilde;chamam<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Svaras may have fixed or variable positions depending on the music system.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Q12. Write the t&#257;la lipi of Teen T&#257;la.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Solution<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Teen T&#257;la<\/h3>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>M&#257;tr&#257;<\/th><th>1<\/th><th>2<\/th><th>3<\/th><th>4<\/th><th>5<\/th><th>6<\/th><th>7<\/th><th>8<\/th><th>9<\/th><th>10<\/th><th>11<\/th><th>12<\/th><th>13<\/th><th>14<\/th><th>15<\/th><th>16<\/th><\/tr><\/thead><tbody><tr><td>Bol<\/td><td>Dha<\/td><td>Dhin<\/td><td>Dhin<\/td><td>Dha<\/td><td>Dha<\/td><td>Dhin<\/td><td>Dhin<\/td><td>Dha<\/td><td>Dha<\/td><td>Tin<\/td><td>Tin<\/td><td>Ta<\/td><td>Ta<\/td><td>Dhin<\/td><td>Dhin<\/td><td>Dha<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">T&#257;l&#299;\/Kh&#257;l&#299; Structure<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">X 2 0 3<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Teen T&#257;la is one of the most common rhythmic cycles in Hindustani Music.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h1 class=\"wp-block-heading\">Common Mistakes<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Confusing r&#257;ga j&#257;ti classifications<\/li>\n\n\n\n<li>Forgetting fixed and variable svaras<\/li>\n\n\n\n<li>Mixing Hindustani and Carnatic systems<\/li>\n\n\n\n<li>Writing incomplete t&#257;la structures<\/li>\n\n\n\n<li>Ignoring ascent and descent patterns<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Exam Tips<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Learn all j&#257;ti names carefully.<\/li>\n\n\n\n<li>Practise Teen T&#257;la and Jhapt&#257;la counting.<\/li>\n\n\n\n<li>Remember important r&#257;ga scales.<\/li>\n\n\n\n<li>Use tables for classification-based answers.<\/li>\n\n\n\n<li>Revise th&#257;&#7789; and me&#7739;akart&#257; systems regularly.<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Practice MCQs<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">1. A r&#257;ga with 5 notes is called:<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. &#7778;h&#257;&#7693;ava<br>B. Sa&#7745;p&#363;r&#7751;a<br>C. Au&#7693;ava<br>D. Janaka<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">C. Au&#7693;ava<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h2 class=\"wp-block-heading\">2. Who developed the Th&#257;&#7789; system?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. Ty&#257;gar&#257;ja<br>B. Vishnu Narayan Bhatkhande<br>C. T&#257;nsen<br>D. Venkatamakhi<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">B. Vishnu Narayan Bhatkhande<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h2 class=\"wp-block-heading\">3. Which t&#257;la has 16 beats?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. Jhapt&#257;la<br>B. R&#363;paka T&#257;la<br>C. Teen T&#257;la<br>D. &#256;di T&#257;la<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">C. Teen T&#257;la<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h2 class=\"wp-block-heading\">4. Which r&#257;ga is an Au&#7693;ava r&#257;ga?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. Yaman<br>B. Ha&#7745;sadhvani<br>C. Bil&#257;val<br>D. Kaly&#257;&#7751;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">B. Ha&#7745;sadhvani<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n<h2 class=\"wp-block-heading\">5. What is the first beat of a t&#257;la cycle called?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. Kh&#257;l&#299;<br>B. Vibh&#257;g<br>C. Sam<br>D. T&#257;la<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">C. Sam<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">FAQ Section<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Q1. What is a r&#257;ga?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A r&#257;ga is a melodic framework in Indian Classical Music using specific notes and patterns.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q2. What is t&#257;la?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">T&#257;la is the rhythmic cycle used in Indian music.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q3. What is the difference between th&#257;&#7789; and r&#257;ga?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A th&#257;&#7789; is a parent scale, while a r&#257;ga is a melodic composition derived from it.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q4. What is j&#257;ti in music?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">J&#257;ti classifies r&#257;gas according to the number of notes used.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q5. Why is Teen T&#257;la important?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Teen T&#257;la is widely used in Hindustani Classical Music because of its balanced rhythmic structure.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For more chapter-wise solutions, MCQs, notes, music theory, and exam preparation materials, visit <a href=\"http:\/\/www.mymockmate.com\/\">www.mymockmate.com<\/a> and make your learning musical, creative, and exam-ready.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<div class=\"pdfprnt-buttons pdfprnt-buttons-post pdfprnt-top-bottom-right\"><a href=\"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2583?print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/mymockmate.com\/notes\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\"><span class=\"pdfprnt-button-title pdfprnt-button-print-title\">Print<\/span><\/a> <span class=\"pdfprnt-count-generation\">11<\/span><\/div><div class=\"mymoc-bottom mymoc-entity-placement\" id=\"mymoc-2787900808\"><div id=\"mymoc-1303652284\"><a href=\"https:\/\/amzn.to\/4v5gV6P\" aria-label=\"calculators\"><img src=\"https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/calculators.png\" alt=\"\" srcset=\"https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/calculators.png 1302w, https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/calculators-300x99.png 300w, https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/calculators-1024x338.png 1024w, https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/06\/calculators-768x254.png 768w\" sizes=\"(max-width: 1302px) 100vw, 1302px\" width=\"1302\" height=\"430\"><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p> 11 Short Intro This chapter introduces students to the beautiful concepts of R&#257;ga and T&#257;la in Indian Classical Music. It explains r&#257;ga classification systems,&#8230;<\/p>\n","protected":false},"author":3,"featured_media":2584,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"postBodyCss":"","postBodyMargin":[],"postBodyPadding":[],"postBodyBackground":{"backgroundType":"classic","gradient":""},"footnotes":""},"categories":[803,22,4],"tags":[1558,1531,1555,1556,1553,1551,1560,1550,1559,1554,1552,1557],"class_list":["post-2583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-cbse","category-class-9","tag-carnatic-music","tag-class-9-music-solutions","tag-hansadhwani-raga","tag-hindustani-music","tag-indian-classical-music","tag-jhaptala","tag-melakarta-system","tag-ncert-music-chapter-8","tag-raga-and-tala","tag-raga-classification","tag-teen-tala","tag-thaat-system"],"featured_image_src":"https:\/\/mymockmate.com\/notes\/wp-content\/uploads\/2026\/05\/NCERT-Class-9-Arts-Music-Chapter-8-Complete-Solutions.png","author_info":{"display_name":"Team Mymockmate (L)","author_link":"https:\/\/mymockmate.com\/notes\/author\/luckp\/"},"_links":{"self":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/comments?post=2583"}],"version-history":[{"count":2,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2583\/revisions"}],"predecessor-version":[{"id":2637,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2583\/revisions\/2637"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/media\/2584"}],"wp:attachment":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/media?parent=2583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/categories?post=2583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/tags?post=2583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}