{"id":2590,"date":"2026-05-28T16:08:45","date_gmt":"2026-05-28T10:38:45","guid":{"rendered":"https:\/\/mymockmate.com\/notes\/?p=2590"},"modified":"2026-05-28T16:08:48","modified_gmt":"2026-05-28T10:38:48","slug":"ncert-class-9-arts-dance-chapter-10-complete-solutions","status":"publish","type":"post","link":"https:\/\/mymockmate.com\/notes\/ncert-class-9-arts-dance-chapter-10-complete-solutions\/","title":{"rendered":"NCERT Class 9 Arts Dance Chapter 10 Complete Solutions"},"content":{"rendered":"<div class=\"pdfprnt-buttons pdfprnt-buttons-post pdfprnt-top-bottom-right\"><a href=\"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2590?print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/mymockmate.com\/notes\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\" \/><span class=\"pdfprnt-button-title pdfprnt-button-print-title\">Print<\/span><\/a> <span class=\"pdfprnt-count-generation\"><\/span><\/div>\n<h1 class=\"wp-block-heading\">Short Intro<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">This chapter introduces the essential components of dance such as body alignment, rhythm, tempo, abhinaya, n\u1e5bitta, n\u1e5bitya, and expressive communication. Students learn how dance combines movement, emotion, rhythm, posture, and storytelling to create artistic performances. These solutions provide easy explanations, MCQs, FAQs, exam tips, and detailed step-by-step answers for better understanding.<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Quick Information Box<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Topic<\/th><th>Details<\/th><\/tr><\/thead><tbody><tr><td>Chapter Name<\/td><td>Components of Dance<\/td><\/tr><tr><td>Subject<\/td><td>Dance<\/td><\/tr><tr><td>Class<\/td><td>9<\/td><\/tr><tr><td>Main Focus<\/td><td>Dance Movements and Expressive Communication<\/td><\/tr><tr><td>Important Concepts<\/td><td>Sau\u1e63h\u1e6dhava, Rekh\u0101, Abhinaya, T\u0101la<\/td><\/tr><tr><td>Learning Goal<\/td><td>Understanding Body, Rhythm, and Expression in Dance<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h1 class=\"wp-block-heading\">Concepts Used (Topics Covered)<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Dance Movements<\/li>\n\n\n\n<li>Sau\u1e63h\u1e6dhava (Body Alignment)<\/li>\n\n\n\n<li>Rekh\u0101 (Lines and Shapes)<\/li>\n\n\n\n<li>R\u016bpa (Expression and Disposition)<\/li>\n\n\n\n<li>N\u1e5bitta and N\u1e5bitya<\/li>\n\n\n\n<li>T\u0101la and Laya<\/li>\n\n\n\n<li>Chaturvidha Abhinaya<\/li>\n\n\n\n<li>\u0100\u1e45gika Abhinaya<\/li>\n\n\n\n<li>V\u0101chika Abhinaya<\/li>\n\n\n\n<li>\u0100h\u0101rya Abhinaya<\/li>\n\n\n\n<li>S\u0101ttvika Abhinaya<\/li>\n\n\n\n<li>Rhythm and Tempo<\/li>\n\n\n\n<li>Indian Classical Dance<\/li>\n\n\n\n<li>Folk Dance<\/li>\n\n\n\n<li>Dance in Cinema<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Important Formulas \/ Key Terms<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>N\u1e5bitta = Pure dance movements without storytelling<\/li>\n\n\n\n<li>N\u1e5bitya = Expressive dance with meaning and storytelling<\/li>\n\n\n\n<li>T\u0101la = Rhythmic cycle<\/li>\n\n\n\n<li>Laya = Tempo or speed<\/li>\n\n\n\n<li>Sau\u1e63h\u1e6dhava = Proper body alignment and posture<\/li>\n\n\n\n<li>Rekh\u0101 = Shapes and lines created by the body<\/li>\n\n\n\n<li>Abhinaya = Expressive communication in dance<\/li>\n\n\n\n<li>\u0100\u1e45gika = Expression through body<\/li>\n\n\n\n<li>V\u0101chika = Expression through speech\/music<\/li>\n\n\n\n<li>\u0100h\u0101rya = Expression through costume and props<\/li>\n\n\n\n<li>S\u0101ttvika = Expression through inner emotions<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Questions &amp; Step-by-Step Solutions<\/h1>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q1. Which of these are not essential for proper body alignment?<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Options<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">i. Sau\u1e63h\u1e6dhava<br>ii. V\u0101chika<br>iii. R\u016bpa<br>iv. Rekh\u0101<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Correct Answer<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">ii. V\u0101chika<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Sau\u1e63h\u1e6dhava, r\u016bpa, and rekh\u0101 are related to body posture and movement, while v\u0101chika refers to verbal expression and sound.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q2. Explain any one of these.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">i. N\u1e5bitta and N\u1e5bitya<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">N\u1e5bitta<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">N\u1e5bitta refers to pure dance movements without storytelling or emotional meaning. It focuses on rhythm, body movement, and technique.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">N\u1e5bitya<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">N\u1e5bitya combines dance movements with expression and storytelling. It communicates emotions and meanings through abhinaya.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Difference Between N\u1e5bitta and N\u1e5bitya<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>N\u1e5bitta<\/th><th>N\u1e5bitya<\/th><\/tr><\/thead><tbody><tr><td>Pure dance<\/td><td>Expressive dance<\/td><\/tr><tr><td>No storytelling<\/td><td>Includes storytelling<\/td><\/tr><tr><td>Focus on rhythm<\/td><td>Focus on emotion and meaning<\/td><\/tr><tr><td>Technical movements<\/td><td>Emotional communication<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Indian classical dances often combine both n\u1e5bitta and n\u1e5bitya to create beautiful performances.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">ii. Rhythm (T\u0101la) and Tempo (Laya)<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">T\u0101la<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">T\u0101la is the rhythmic cycle or beat pattern used in dance and music.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Laya<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Laya refers to the speed or tempo of movement and rhythm.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Types of Laya<\/h3>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Vilambit (Slow)<\/li>\n\n\n\n<li>Madhya (Medium)<\/li>\n\n\n\n<li>Drut (Fast)<\/li>\n<\/ol>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Rhythm and tempo together create flow and balance in dance performances.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">iii. Sau\u1e63h\u1e6dhava<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Meaning<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Sau\u1e63h\u1e6dhava means proper body alignment and graceful posture in dance.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Features<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Balanced body posture<\/li>\n\n\n\n<li>Straight spine<\/li>\n\n\n\n<li>Controlled movements<\/li>\n\n\n\n<li>Graceful appearance<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Importance<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Improves dance quality<\/li>\n\n\n\n<li>Prevents injuries<\/li>\n\n\n\n<li>Enhances expression and confidence<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Sau\u1e63h\u1e6dhava forms the foundation of strong and elegant dance movements.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q3. Identify the abhinaya represented in the following pictures and fill in the blanks.<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Picture<\/th><th>Abhinaya Type<\/th><\/tr><\/thead><tbody><tr><td>Purulia Chhau Costume<\/td><td>\u0100h\u0101rya Abhinaya<\/td><\/tr><tr><td>Yak\u1e63hag\u0101na<\/td><td>V\u0101chika Abhinaya<\/td><\/tr><tr><td>Expression in Mohiniyattam<\/td><td>S\u0101ttvika Abhinaya<\/td><\/tr><tr><td>Krishna in Sattriya Dance<\/td><td>\u0100\u1e45gika Abhinaya<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Different forms of abhinaya use body, voice, costume, and emotions for artistic communication.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q4. Fill in the blanks with the name of a legend in the dance forms.<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Dance Form<\/th><th>Legend<\/th><\/tr><\/thead><tbody><tr><td>i. Kathak<\/td><td>Saroja Vaidyanathan<\/td><\/tr><tr><td>ii. Sattriya<\/td><td>Jatin Goswami<\/td><\/tr><tr><td>iii. Purulia Chhau<\/td><td>Gambhir Singh Mura<\/td><\/tr><tr><td>iv. Pulika\u1e3bi<\/td><td>Chathunni Asan<\/td><\/tr><tr><td>v. Kathakali<\/td><td>Kalamandalam Gopi<\/td><\/tr><tr><td>vi. Mohiniyattam<\/td><td>Kanak Rele<\/td><\/tr><tr><td>vii. Bharatanatyam<\/td><td>Kumari Kamala<\/td><\/tr><tr><td>viii. Odissi<\/td><td>Kelucharan Mohapatra<\/td><\/tr><tr><td>ix. Manipuri<\/td><td>Ranjana Jhaveri<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Explanation<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">These artists contributed significantly to preserving and popularising Indian dance traditions.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Q5. Journal: Present your observations based on the following.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">i. The Performance Watched<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Observation<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">I watched a Bharatanatyam performance based on devotion and storytelling.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Dance Elements Observed<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Strong footwork<\/li>\n\n\n\n<li>Hand gestures (mudras)<\/li>\n\n\n\n<li>Rhythmic movements<\/li>\n\n\n\n<li>Facial expressions<\/li>\n\n\n\n<li>Graceful body posture<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Emotion Experienced<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The performance created feelings of peace, devotion, and admiration.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Costume and Props<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Traditional silk costume, temple jewellery, flowers, and expressive makeup were used.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Region Connected<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Tamil Nadu<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">ii. The Cinema Dance Sequence<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Example<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cGhoomar\u201d dance sequence from the movie Padmavat.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Observations<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Circular group formations<\/li>\n\n\n\n<li>Traditional Rajasthani costumes<\/li>\n\n\n\n<li>Rhythmic spinning movements<\/li>\n\n\n\n<li>Folk dance influence<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Dance Elements Analysed<\/h3>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Element<\/th><th>Observation<\/th><\/tr><\/thead><tbody><tr><td>Body Movement<\/td><td>Graceful spinning and hand gestures<\/td><\/tr><tr><td>Costume<\/td><td>Traditional Rajasthani attire<\/td><\/tr><tr><td>Emotion<\/td><td>Celebration and pride<\/td><\/tr><tr><td>Rhythm<\/td><td>Medium-fast tempo<\/td><\/tr><tr><td>Expression<\/td><td>Joy and cultural identity<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Reflection<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The dance sequence beautifully represented Indian folk traditions and cultural pride.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading\">Common Mistakes<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Confusing n\u1e5bitta with n\u1e5bitya<\/li>\n\n\n\n<li>Forgetting the four types of abhinaya<\/li>\n\n\n\n<li>Ignoring posture and alignment concepts<\/li>\n\n\n\n<li>Mixing rhythm and tempo definitions<\/li>\n\n\n\n<li>Writing incomplete dance observations<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Exam Tips<\/h1>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Learn all four abhinayas carefully.<\/li>\n\n\n\n<li>Remember the meanings of t\u0101la and laya.<\/li>\n\n\n\n<li>Practice examples of Indian dance forms.<\/li>\n\n\n\n<li>Use tables for comparison answers.<\/li>\n\n\n\n<li>Revise important dance personalities regularly.<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Practice MCQs<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">1. What does Sau\u1e63h\u1e6dhava mean?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. Costume<br>B. Rhythm<br>C. Proper body alignment<br>D. Makeup<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">C. Proper body alignment<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">2. Which dance element focuses on storytelling?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. N\u1e5bitta<br>B. N\u1e5bitya<br>C. Rekh\u0101<br>D. T\u0101la<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">B. N\u1e5bitya<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">3. Which abhinaya uses costumes and props?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. \u0100\u1e45gika<br>B. V\u0101chika<br>C. \u0100h\u0101rya<br>D. S\u0101ttvika<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">C. \u0100h\u0101rya<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">4. What is the meaning of laya?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. Costume<br>B. Rhythm cycle<br>C. Tempo or speed<br>D. Expression<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">C. Tempo or speed<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">5. Which dance form uses masks in Purulia style?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A. Bharatanatyam<br>B. Kathak<br>C. Chhau<br>D. Manipuri<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Answer:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">C. Chhau<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">FAQ Section<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Q1. What is n\u1e5bitta?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">N\u1e5bitta is pure dance movement without storytelling or emotional expression.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q2. What is n\u1e5bitya?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">N\u1e5bitya is expressive dance that combines movement with storytelling and emotions.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q3. What are the four types of abhinaya?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u0100\u1e45gika, V\u0101chika, \u0100h\u0101rya, and S\u0101ttvika.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q4. Why is body alignment important in dance?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Proper alignment improves balance, expression, grace, and safety during movements.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Q5. What is the difference between t\u0101la and laya?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">T\u0101la is the rhythmic cycle, while laya is the speed or tempo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For more chapter-wise solutions, MCQs, notes, dance activities, and exam preparation materials, visit <a href=\"http:\/\/www.mymockmate.com\/\">www.mymockmate.com<\/a> and make your learning creative, artistic, and exam-ready.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<div class=\"pdfprnt-buttons pdfprnt-buttons-post pdfprnt-top-bottom-right\"><a href=\"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2590?print=print\" class=\"pdfprnt-button pdfprnt-button-print\" target=\"_blank\" ><img decoding=\"async\" src=\"https:\/\/mymockmate.com\/notes\/wp-content\/plugins\/pdf-print\/images\/print.png\" alt=\"image_print\" title=\"Print Content\" \/><span class=\"pdfprnt-button-title pdfprnt-button-print-title\">Print<\/span><\/a> <span class=\"pdfprnt-count-generation\"><\/span><\/div>\n    <div class=\"xs_social_share_widget xs_share_url after_content \t\tmain_content  wslu-style-1 wslu-share-box-shaped wslu-fill-colored wslu-none wslu-share-horizontal wslu-theme-font-no wslu-main_content\">\n\n\t\t\n        <ul>\n\t\t\t        <\/ul>\n    <\/div> \n","protected":false},"excerpt":{"rendered":"<p> Short Intro This chapter introduces the essential components of dance such as body alignment, rhythm, tempo, abhinaya,<\/p>\n","protected":false},"author":3,"featured_media":2591,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_surecart_dashboard_logo_width":"180px","_surecart_dashboard_show_logo":true,"_surecart_dashboard_navigation_orders":true,"_surecart_dashboard_navigation_invoices":true,"_surecart_dashboard_navigation_subscriptions":true,"_surecart_dashboard_navigation_downloads":true,"_surecart_dashboard_navigation_billing":true,"_surecart_dashboard_navigation_account":true,"postBodyCss":"","postBodyMargin":[],"postBodyPadding":[],"postBodyBackground":{"backgroundType":"classic","gradient":""},"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[803,22,4],"tags":[1577,1578,1581,1574,1576,1583,1580,1582,1575,1573,1572,1579],"class_list":["post-2590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-cbse","category-class-9","tag-abhinaya","tag-bharatanatyam","tag-chhau-dance","tag-class-9-dance-solutions","tag-components-of-dance","tag-dance-forms","tag-indian-classical-dance","tag-kathakali","tag-ncert-dance-chapter-10","tag-nritta-and-nritya","tag-rhythm-and-laya","tag-sauhhava"],"jetpack_publicize_connections":[],"_links":{"self":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/comments?post=2590"}],"version-history":[{"count":2,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2590\/revisions"}],"predecessor-version":[{"id":2640,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/posts\/2590\/revisions\/2640"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/media\/2591"}],"wp:attachment":[{"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/media?parent=2590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/categories?post=2590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mymockmate.com\/notes\/wp-json\/wp\/v2\/tags?post=2590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}